Friday, 17 September 2010

Research task


Yesterday I was in my art studio and I was determined to paint. Because I feel in a dip I had promised myself to allow a lot of experiment while painting. To ensure I could get started without any distractions I enthousiastically prepared everything (paint, brushes, etc.). Then I looked at my half-finished painting and felt right away... nope, it's not going to happen today. I felt a total lack of inspiration. I strongly feel I need to change my direction in some way, but haven't figured out yet what that should be. I know I will be very excited and inspired once I know what I should do. But I also know when I don't have that exciting feeling. Painting is then almost like an ordeal.
I decided not to wait for my inspiration for long, as I knew it was not going to arrive today. So I packed everything up again and decided to task myself with a 3 month research period... yes, that 3 months, that's a long time! This ensures I don't feel in a hurry or pushed and it allows me to explore thoroughly and try different approaches.
Thinking again today about my newly given task I feel very relieved and happy... and suddenly I feel my inspiration and excitement boiling up again. It's raining cats and dogs at this moment and I feel it's a good time to go out on a stroll with my camera to try and capture the falling rain... I can already see paintings coming out of that. But oh yes... this research task will last 3 months, so no time to rush to my paint brushes.

Monday, 6 September 2010

A new town, new people, a new life...

This morning I smelled autumn in the air. It immediately reminded me of when I had just moved to Amsterdam and cycled to college in the morning. Everything was new to me.... a new town, new people, a new life...

After I have been in the UK and France for the last 5 weeks it almost feels like a new life to me again. It's my first day in my art studio since I am back and I don't know yet where to start and what my plan is. This morning I have been thinking and writing a lot to create room for new inspiration. I feel I need to continue in the direction I am going but I also need to change and improve aspects.

It's difficult to get started so probably the best would be to just start. But my mind is blocking me and my hands are not moving. Time to go for a walk...

Friday, 30 July 2010

Feel-good feedback


After my blog about rejections it's time for publishing some feel-good feedback. At the entrance of my art show in Folkestone there is a visitors book, that people can write in to provide their contact details and feedback. To my surprise, lots of visitors have taken the effort to provide me with their feedback about my work. Ofcourse I am very flattered by all this feedback and it boosts my confidence - yes I needed some after my previous post! Below a small selection:

"Love the desolation"

"How great is this work excellent work"

"Very haunting night scenes paintings, like the petrol station and the little diner, a bit reminiscent of Edward Hopper's paintings but without people, without lonely people, just empty places..."

"Interesting - strong sense of stillness and isolation. Loved the vans and interiors, lovely colours. Thanks."

"Evocative, still and haunting"

"Heel goed" - yes! a Dutch person who wrote some feedback without revealing his/her nationality :-)

"Desolate, haunting and somewhat unsettling. Good show. Very Dutch in style, clean and fresh"

"Yes it's fearly good, I did enjoy it"




Wednesday, 14 July 2010

How to best respond to your critics ?

Why answer that question myself when it's readily available on the web?
http://edwardwinkleman.blogspot.com/2010/07/how-best-to-respond-to-your-critics.html

I like Edward Winkleman, he has written a lot of useful blogs for artists that are keen to find a gallery to represent them.

Wednesday, 7 July 2010

Rejected





I think one of the challenges of an artist is to be continuously self-motivated and inspired. We have no boss to tells us when to paint and what to paint, or gives us smart objectives for the coming year. We also do not get regular paychecks. Instead we are a self-employed entrepreneur that choses its own products and marketing strategy. And we only get paid if there is a customer out there that likes our products and decides to pay for it.

The aspect that makes our entrepreneurship a special challenge is the fact we are partly dependent on a very critical and sometimes quite arrogant middle man, called the gallery owner. Our product doesn't get gallery-visiting customers unless the middle man decides it's worth showing to those customers.

In the past few months I have written emails to introduce myself to a small selection of gallery owners (based on whether I thought my work would suit the gallery) in Holland and abroad in my attempt to find a reputable gallery to show my work. Most gallery owners didn't respond to my email... ofcourse it's up to them not to respond, because they never asked for my email in the first place... and they may not want to waste ther time responding to every email they get from artists. And not everybody will appreciate my work, just like I do not appreciate every gallery. Yes, I understand all that.

The gallery owners that didn't respond I emailed again after a couple of months, asking if they still would be happy to provide some feedback on my work. Surprisingly, I received about 6 replies within an hour! All of these were not interested though (as I expected, otherwise they would have responded on my first email I guess).

I started to analyse the kind of responses I got and was able to divide them in the following categories:
- galleries that never respond (also not after my second attempt)
- galleries that respond (after first or second email) and tell me in a few neutral words they are not interested. Some examples:
"Unfortunately we can't offer you anything. I wish you all the best in finding a gallery"
"I am sorry to inform you we don't think your work is suitable for our gallery"
"Thank you for your email but our gallery is not looking for new artists"
- galleries that respond (after first or second email) and tell me in a very blunt/arrogant/frustrated tone that they are not interested. Some examples:
"We don't work with artists that offer their work for sale on their own website. Artists should be dedicated and not sell work themselves if they can't find a gallery"
"I don't like your work"
"These are hard times for galleries, maybe also for you. At the moment we are not going to work with new artists. Unless you are willing to rent the gallery and be responsible for all costs"
- galleries that respond and tell me they are not interested, adding some specific feedback about my work
- galleries that are interested

I Googled "gallery rejection letter" and found a lot more on this topic. Looks like artists (inlcuding myself) need reassuarance from other artists knowing that they are not the only ones that get rejections. Interesting is that the rejections that touched me most were not the blunt rejections... it were the gallery owners that took the time to look at my work more in-depth and provided me with specific feedback on my work.


Monday, 31 May 2010

New art show in Strange Cargo Gallery, Folkestone

New art show coming up.... come and visit if you happen to be in the neighbourhood !!!

23 July - 4 August 2010

“Memories of Summer”

Strange Cargo Gallery

Georges House

8 The Old High Street

Folkestone CT20 1RL

United Kingdom


Strange Cargo Gallery is situated in the old centre of Folkestone. Many people think about smelly car ferries when they hear about Folkestone but it's actually a very lovely little town that is well worth a visit - and not only because I will have an art show there :-)

The gallery is on a corner and is very bright because of all the large windows it has. Once the leaflet for the art show is ready I will post it on here. I will exhibit mainly small and medium-sized paintings (including lots of new work) with a summer theme...

Friday, 7 May 2010